Chimney Rock, Ghost Ranch
Chimney Rock, Ghost Ranch

“…Stuppin’s paintings produce a serotonin rush of pleasure.  In part this comes from the kind of naivete or innocence they embody, and in part comes from their visual richness.  But there is more at work on these surfaces.  Stuppin employs a series of compositional strategies-rhythmic patterns and careful juxtapositions of color-calculated to capture and reveal the essential unifying principals of the natural world.  The paintings provide us with a sense of sacredness inherent in each moment and each place, to which we are invited, along with the artist, to feel, to contemplate, and to revere.” Miriam Roberts, Santa Fe

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Ghost Ranch
Ghost Ranch

“…Stuppin’s paintings produce a serotonin rush of pleasure.  In part this comes from the kind of naivete or innocence they embody, and in part comes from their visual richness.  But there is more at work on these surfaces.  Stuppin employs a series of compositional strategies-rhythmic patterns and careful juxtapositions of color-calculated to capture and reveal the essential unifying principals of the natural world.  The paintings provide us with a sense of sacredness inherent in each moment and each place, to which we are invited, along with the artist, to feel, to contemplate, and to revere.” Miriam Roberts, Santa Fe

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Jemez Storm
Jemez Storm

“…Stuppin’s paintings produce a serotonin rush of pleasure.  In part this comes from the kind of naivete or innocence they embody, and in part comes from their visual richness.  But there is more at work on these surfaces.  Stuppin employs a series of compositional strategies-rhythmic patterns and careful juxtapositions of color-calculated to capture and reveal the essential unifying principals of the natural world.  The paintings provide us with a sense of sacredness inherent in each moment and each place, to which we are invited, along with the artist, to feel, to contemplate, and to revere.” Miriam Roberts, Santa Fe

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On the Turquois Trail
On the Turquois Trail

“…Stuppin’s paintings produce a serotonin rush of pleasure.  In part this comes from the kind of naivete or innocence they embody, and in part comes from their visual richness.  But there is more at work on these surfaces.  Stuppin employs a series of compositional strategies-rhythmic patterns and careful juxtapositions of color-calculated to capture and reveal the essential unifying principals of the natural world.  The paintings provide us with a sense of sacredness inherent in each moment and each place, to which we are invited, along with the artist, to feel, to contemplate, and to revere.” Miriam Roberts, Santa Fe

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Rio Grande Gorge
Rio Grande Gorge

“…Stuppin’s paintings produce a serotonin rush of pleasure.  In part this comes from the kind of naivete or innocence they embody, and in part comes from their visual richness.  But there is more at work on these surfaces.  Stuppin employs a series of compositional strategies-rhythmic patterns and careful juxtapositions of color-calculated to capture and reveal the essential unifying principals of the natural world.  The paintings provide us with a sense of sacredness inherent in each moment and each place, to which we are invited, along with the artist, to feel, to contemplate, and to revere.” Miriam Roberts, Santa Fe

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Sacred Taos Mountain
Sacred Taos Mountain

“…Stuppin’s paintings produce a serotonin rush of pleasure.  In part this comes from the kind of naivete or innocence they embody, and in part comes from their visual richness.  But there is more at work on these surfaces.  Stuppin employs a series of compositional strategies-rhythmic patterns and careful juxtapositions of color-calculated to capture and reveal the essential unifying principals of the natural world.  The paintings provide us with a sense of sacredness inherent in each moment and each place, to which we are invited, along with the artist, to feel, to contemplate, and to revere.” Miriam Roberts, Santa Fe

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Valdez Valley
Valdez Valley

“…Stuppin’s paintings produce a serotonin rush of pleasure.  In part this comes from the kind of naivete or innocence they embody, and in part comes from their visual richness.  But there is more at work on these surfaces.  Stuppin employs a series of compositional strategies-rhythmic patterns and careful juxtapositions of color-calculated to capture and reveal the essential unifying principals of the natural world.  The paintings provide us with a sense of sacredness inherent in each moment and each place, to which we are invited, along with the artist, to feel, to contemplate, and to revere.” Miriam Roberts, Santa Fe

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White Rock
White Rock

“…Stuppin’s paintings produce a serotonin rush of pleasure.  In part this comes from the kind of naivete or innocence they embody, and in part comes from their visual richness.  But there is more at work on these surfaces.  Stuppin employs a series of compositional strategies-rhythmic patterns and careful juxtapositions of color-calculated to capture and reveal the essential unifying principals of the natural world.  The paintings provide us with a sense of sacredness inherent in each moment and each place, to which we are invited, along with the artist, to feel, to contemplate, and to revere.” Miriam Roberts, Santa Fe

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